Every one knew how laborious the usual Method is of attaining to Arts and Sciences; whereas by his Contrivance, the most ignorant Person at a reasonable Charge, and with a little bodily Labour, may write Books in Philosophy, Poetry, Politicks, Law, Mathematicks and Theology, without the least Assistance from Genius or Study.

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Gulliver's Travels:
Voyage to Laputa

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Laputan Logic*
Fanciful. Preposterous. Absurd.
The Colours of White

Posted on Wednesday 1 December 2004




Augustus of Prima Porta. Created circa 22 BC, rediscovered in 1863.
Colours reconstructed from pigment traces.

It is an often ignored fact that the classical statues of Rome and Greece were originally painted, often using quite striking colours. This reality however jars so much with our own aesthetics and expectations about classical sculpture - as informed through its rediscovery in the Renaissance - that we continue to prefer to look at them unadorned. But the world of antiquity was never just marble white and as we can see from their vividly coloured paintings, the Romans knew a great deal about pigment

making

and traces of these paints can been still seen on the statues under

microscopic examination.




I Colori del Bianco is an exhibition currently being held at the Vatican Museums which displays a series of replicas of ancient sculpture painted in their original colours.



"suddenly, a world we had been used to regarding as austere and reflective


has been turned on its head to become as jolly as a circus"





-- Corriere della Sera newspaper








Bust of the Emperor Caligula, coloured vs. original






Trojan archer from the Temple of Athena Aphaia of Aegina, 490-480 BC (original)




Stele of Paramythion, circa 370 BC


Peplos Kore, circa 530 BC (original)



UPDATE: Many more pictures from the exhibition may be found here.